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You are looking at Fall 2025. That term is over, so these are last term's numbers rather than seats you can take. dibs holds 1,964 sections for Fall 2025, read about 1 month ago. Separately, it has finished 527 of the 3,572 courses on its current checking list for this term. Future-term coverage is incomplete, so a course with nothing here may simply not have been reached yet. Back to Fall 2026

ART HIS 34

Black Aesthetics

Sections & times

Grades

No grade history for this course: the data runs Fall 2021 to Fall 2025. Sections for Fall 2025 are below.

Grade records describe outcomes. For what a course is like to take, read student reviews written on dibs below or follow the separate external review link.

Reviews for ART HIS 34

Workload and assignments

Work types reported in BruinWalk reviews of this course, across recorded instructors and terms. They may differ from this term's syllabus.

There are no BruinWalk reviews of this course on record as of 26 days ago, so nobody has told dibs what kind of work it sets. That is dibs holding no reviews at all, and not reviewers who wrote without mentioning the work.

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What comes first

dibs has not read a class page for ART HIS 34 in any term it holds, so it cannot say what comes before it.

Counted in courses rather than quarters: dibs does not know which of them a department lets you take together.

From the registrar's catalog

Lecture, three hours; discussion, one hour. Exploration of how the aesthetic, social, cultural, political, and philosophical meanings of Blackness and its representation in a global context have to come define visual and performing arts of the Black world from 19th century to present. Use of lectures, visual analysis, and case studies that combine art history, Black study, feminist study, and queer of color critique. Consideration of how and where Black art and aesthetics have become sites of contestation and platforms for questioning the limits and possibilities of race, gender, sexuality, diaspora, modernity, objecthood, the body, the human, futurity, and the practice of art history itself. Focus on transatlantic figures, artworks, themes, and movements that connect and traverse the Americas, Europe, and Africa. Topics include landscape painting, the built environment, and the memory of slavery; the Black avant-gardes; the influence of Black aesthetics in European and African modernisms; and the intersections of race, gender, and sexuality in global art histories. P/NP or letter grading.

Sections in Fall 2025

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From the people who took it

Student reviews

What taking ART HIS 34 was like: the work, the teaching, and what students wish they’d known.

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